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Sunday, July 3, 2011

Independence Day (Five Star Collection)

In Independence Day, a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. Independence Day is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, Independence Day is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes--played by Will Smith--just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. --Tom Keogh
 

DVD features

Of the two commentaries, the more interesting is the one with the special effects supervisors, who engagingly demonstrate how the film's illusions ran the gamut from traditional "model & string" effects to the most sophisticated CGI applications. "Creating Reality" is the best of the three behind-the-scenes documentaries; "ID4 Invasion" is an interesting compilation of fictional news reports (some of them quite convincing) that were created for the TV reports within the movie, while the "HBO First Look" featurette hosted by Jeff Goldblum is rather glib and redundant. Of greater interest is the "special edition" cut of Independence Day and the original unused ending with Randy Quaid heroically piloting a vintage biplane instead of an advanced fighter jet. As producer Dean Devlin explains, the sight of a rickety airplane keeping pace with F-18 jets was "just not believable." --Jeff Shannon
 

Independence Day (Limited Edition) (1996)

In Independence Day, a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. Independence Day is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, Independence Day is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes--played by Will Smith--just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. --Tom Keogh

Independence Day (1996)

In Independence Day, a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. Independence Day is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, Independence Day is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes--played by Will Smith--just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. --Tom Keogh

Independence Day (Single Disc Widescreen Edition)

In Independence Day, a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. Independence Day is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, Independence Day is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes--played by Will Smith--just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. --Tom Keogh

Independence Day [Blu-ray] (2010)

In Independence Day, a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. Independence Day is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, Independence Day is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes--played by Will Smith--just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. --Tom Keogh

Tuesday, June 28, 2011

Broke: The Plan to Restore Our Trust, Truth and Treasure

THE FACTS. 

THE FUTURE. 

THE FIGHT TO FIX AMERICA— 

BEFORE IT’S TOO LATE. 

In the words of Harvard historian Niall Ferguson, the United States is “an empire on the edge of chaos.” Why? Glenn Beck thinks the answer is pretty simple: Because we’ve turned our backs on the Constitution. 


Yes, our country is financially broke, but that’s just a side effect of our broken spirit, our broken faith in government, the broken promises by our leaders, and a broken political system that has centralized power at the expense of individual rights. 

There is a lot of work ahead, but we can’t move forward until we first understand how we got here. Starting with the American Revolution, Glenn takes readers on an express train through 234 years of history, culminating with the Great Recession and the bipartisan recklessness of Presidents Bush and Obama. It’s the history lesson we all wished we’d had in school. (Did you know, for example, that FDR once made a key New Deal policy decision based on his lucky number?) 


Along the way, you’ll see how everything you thought you knew about the political parties is a lie, how Democrats and Republicans alike used to fight for minimum government and maximum freedom, and how both parties have been taken over by a cancer called “progressivism.” By the end, you’ll understand why no president, no congress and no court can fix this problem alone. Looking toward them for answers is like looking toward the ocean for drinking water— it looks promising, but the end result is catastrophic. 

After revealing the trail of lies that brought us here, Broke exposes the truth about what we’re really facing. Most people have seen pieces of the puzzle, but very few have ever seen the whole picture—and for very good reason: Our leaders have done everything in their power to hide it. If Americans understood how dire things really are, they would be demanding radical reform right now. Despite the rhetoric, that’s not the kind of change our politicians really believe in. 


Finally, Broke provides the hope that comes with knowing the truth. Once you see what we’re really up against, it’s much easier to develop a realistic plan. To fix ourselves financially, Glenn argues, we have to fix ourselves first. That means some serious introspection and, ultimately, a series of actions that will unite all Americans around the concept of shared sacrifice. After all, this generation may not be asked to storm beaches, but we are being asked to do something just as critical to preserving freedom. 

Packed with great stories from history, chalkboard-style teachable moments, custom illustrations, and Glenn Beck’s trademark combination of entertainment and enlightenment, Broke makes the case that when you’re traveling in the wrong direction, slight course corrections won’t cut it—you need to take drastic action. Through a return to individual rights, an uncompromising adherence to the Constitution, and a complete rethinking about the role of government in a free society, Glenn exposes the idea of “transformation” for the progressive smokescreen that it is, and instead builds a compelling case that restoration is the only way forward. 

The 7: Seven Wonders That Will Change Your Life

Radio and television host Glenn Beck has experienced the rollercoaster of life like few others.  From the suicide of his mother when he was just thirteen, to his eventual alcoholism, depression, divorce, unemployment, and health scares—Glenn has weathered life’s darkest storms.

Any one of those struggles could’ve ruined him, yet Glenn was able to keep moving forward.  He saw past the darkness into the light; past his grief and addictions and into what his life could be.

YOU CAN DO IT TOO

The process of finding happiness through personal redemption was not easy, but it left Glenn with a blueprint for how to confront future adversity.  Glenn is living proof that these steps—he calls them wonders—don’t just work on paper.  They helped transform his life and can they can help to transform yours as well.  


THE 7 WONDERS

Glenn Beck and Dr. Keith Ablow—two of the most popular and influential personalities in American media today—have joined forces to present a powerful guide to personal transformation and fulfillment that is as unique as their own unlikely partnership.  They are called the “7 Wonders” and they can be used by anyone who has made the decision that they are ready to change their life.

After the television talk show host and the bestselling psychiatrist struck up a fast friendship they realized that their experiences with life’s struggles were complementary.  What Keith had studied, Glenn had lived.  What Keith had counseled patients on for years, Glenn had suffered through for decades.
The deeply personal insights they shared brought them to realize that their life stories had seven key principles in common; seven wonders that seemed to be essential ingredients for anyone attempting to transform their life.  


Where does the courage to persevere come from when everything seems hopeless? Why is it nearly impossible to succeed without faith?  How much do family and friendships matter in our journey? How do we break down our walls and reveal our inner truths? What does having compassion really mean? How do you tell real friends apart from those who are holding you back? If there’s no one to blame for my past, what do you do with your anger and resentment? 

These kinds of questions are the starting point toward fundamentally changing how you view past damaging relationships, toward breaking the debilitating grip of addiction and depression, toward injecting life with new meaning and purpose and toward helping you embark on a new journey based on hope, strength, and personal empowerment.


As you unwrap each of the seven wonders for yourself, you’ll discover exactly what Glenn Beck found as he transformed his own life from darkness to light, from dead ends to endless possibilities, from addiction to freedom: it doesn’t take a superhero to find the strength to change—it just takes the courage to take the first step.  

This book, which was only possible by combining together decades of personal struggle with world-class professional experience, can be that first step for you.


The 7 Wonders grows out of a unique friendship that we’ve developed over the last five-years. It is unique because it brought together a psychiatrist who naturally burrows toward the truth, and a recovering addict who spent decades running from it.

As we spent more time together we began to let our guards down.  Over time we reached a level of honesty with each other that is rare.  As a result, we learned that the principles that have guided the well-honed healing techniques of one of us are precisely the same principles that instinctively guided the other to replace nearly unbearable pain with genuine happiness.


We believe that it was God’s plan for us to meet; that it was God’s plan for us to speak so openly with one another; and it was God’s plan that we share with you the seven wonders we discovered together.

We also firmly believe that it was God’s plan that this book now finds you at this exact moment in your life.
 —Glenn Beck & Dr. Keith Ablow 

The Original Argument: The Federalists' Case for the Constitution, Adapted for the 21st Century

Glenn Beck revisited Thomas Paine’s famous pre-Revolutionary War call to action in his #1 New York Times bestseller Glenn Beck’s Common Sense. Now he brings his historical acumen and political savvy to this fresh, new interpretation of The Federalist Papers, the 18th-century collection of political essays that defined and shaped our Constitution and laid bare the “original argument” between states’ rights and big federal government—a debate as relevant and urgent today as it was at the birth of our nation.


Adapting a selection of these essential essays—pseudonymously authored by the now well-documented triumvirate of Alexander Hamilton, James Madison, and John Jay—for a contemporary audience, Glenn Beck has had them reworked into “modern” English so as to be thoroughly accessible to anyone seeking a better understanding of the Founding Fathers’ intent and meaning when laying the groundwork of our government. Beck provides his own illuminating commentary and annotations and, for a number of the essays, has brought together the viewpoints of both liberal and conservative historians and scholars, making this a fair and insightful perspective on the historical works that remain the primary source for interpreting Constitutional law and the rights of American citizens. 

Saturday, June 25, 2011

VIDEO : USA Soccer

Kiss of Death [VHS] (1995)

This remake of a 1947 film noir casts David Caruso (freshly escaped from TV's NYPD Blue) in the role originally played by Victor Mature. He plays Jimmy Kilmartin, a reformed criminal struggling to keep straight and keep his wife (Helen Hunt) from going back to the bottle. But a favor for his cousin lands him back in the clink, and when his wife dies, he comes out ready to make a deal with the D.A. He becomes an informant, joining the crew of Little Junior Brown (Nicolas Cage), a pumped-up, asthmatic psycho who weightlifts strippers for amusement. Eventually, Jimmy finds himself forced to keep his radar up for treachery from both the criminals he's finking on and the cops he's working for. This film, directed by Barbet Schroeder, didn't do much business, despite a powerful but controlled performance by Caruso and a scarily splashy one by Cage. --Marshall Fine


http://www.amazon.com/Kiss-Death-VHS-David-Caruso/dp/6303562264/ref=sr_1_6?ie=UTF8&qid=1309050283&sr=8-6

Michael Jackson "Smooth Criminal" Framed Silver Record A3

Framed Commemorative Silver Disc Display Sized 14inc x 11inc - 1 inch, black Plexi-glass frame included Here is your chance to purchase the superb commemorative silver disc display pictured. The displays feature a silver plated 7" record with a mirror like finish. The record has been professionally electroplated and will not peel or crack. The displays are mounted and framed as pictured. The listing image does not do the item justice, they look simply amazing on any wall! This really is the ultimate gift for any music fan! 

Michael Jackson - Birth and Death Quote - 11 x 17 Poster

Michael Jackson - Birth and Death Quote - 11 x 17 Poster - Size and Orientation: 11" x 17" Portrait - State-of-the art DIGITAL presses print eye popping quality! Posters are printed on an acid free, heavy weight paper and arrive in a crystal clear display sleeve with a hanger. This Is an 11 inch x 17 inch Poster.

http://www.amazon.com/Michael-Jackson-Birth-Death-Poster/dp/B002GWMC60/ref=sr_1_4?ie=UTF8&qid=1309050283&sr=8-4

Michael Jackson: This Is It (2-Disc Limited Edition) (2009)

The 2-disc limited edition includes a bonus disc featuring 60 minutes of never-before-seen exclusive features! 


Michael Jackson's This Is It will offer Jackson fans and music lovers worldwide a rare, behind-the-scenes look at the performer as he developed, created and rehearsed for his sold-out concerts that would have taken place beginning this summer in London's O2 Arena. Chronicling the months from April through June 2009, the film is produced with the full support of the Estate of Michael Jackson and drawn from more than one hundred hours of behind-the-scenes footage, featuring Jackson rehearsing a number of his songs for the show. Audiences will be given a privileged and private look at Jackson as he has never been seen before. In raw and candid detail, Michael Jackson's This Is It captures the singer, dancer, filmmaker, architect, creative genius and great artist at work as he creates and perfects his final show. Directed by Kenny Ortega, who was both Michael Jackson's creative partner and the director of the stage show. 

Untouchable: The Strange Life and Tragic Death of Michael Jackson

Beginning with his final departure from Neverland, Untouchable takes readers through Jackson’s final four years, as he shuttled from California to the Middle East, Ireland, Asia, the East Coast, and Las Vegas, planning to recapture his wealth and reputation with a comeback album and a series of fifty mega-concerts, for which he was rehearsing until the day before his death. Sullivan also delves deep into Jackson’s past, and the man that emerges is both naive and deeply cunning, a devoted father whose parenting decisions created international outcry, a shrewd businessman whose successes blew up in his face and whose failures nearly brought down a megacorporation, and an inveterate narcissist who wanted more than anything a quiet, solitary, normal life. Sullivan has never-before-reported information about Jackson’s business dealings and the pedophilia allegations that irreparably marked his reputation, and exclusive access to inner-circle figures including Jackson’s former attorney and business manager. The result is a remarkable portrait of Michael Jackson, a man of uncountable contradictions who continues to reign as the King of Pop.

Capitol Collectors Series: Louis Prima

Band leader and lounge kingpin Louis Prima will be best be known for the classic, "Just a Gigolo," immortalized by David Lee Roth for a whole new generation of swingers. But Prima's output went much further: in his day he recorded for Capitol, acted in a movie or two, even owned a golf course. Prima's genius is infectious: lounge, swing, and Dixieland all fuse together into medleys that are fun, dance-worthy, and upbeat. Prima's duets with Keely Smith are the obvious highlights here: "That Ol' Black Magic," "Hey Boy! Hey Girl!," and "I've Got You Under My Skin" are essential Prima tracks. Sure, the cheese factor occasionally runs high, but it is a fun trip. --Jason Verlinde
 

 

Party Rock

"We're definitely not a band that's shy. We love to hear ourselves talk. We want to be seen as much as possible. We want to be so big that we can't even walk down the street." Mark the words of Redfoo, the programming brain behind electro-hip hop duo LMFAO, who, along with his cohort (and nephew) Sky Blu, have already initiated a full-scale assault on the clubs. In the last year alone, three self-produced and self-distributed LMFAO tracks - "I'm In Miami Bitch," "Lil' Hipster Girl" and "Yes" - have become as ubiquitous on the dance floor as any hit by the likes of Rihanna or T.I., while remixes of Fergie's "Clumsy," Kanye West's "Love Lockdown" and Katy Perry's "Hot 'N' Cold," have lent instant credibility to two guys who've turned clowning around into an art form and a business. 

It's all part of an elaborate plan for world domination. No, really. For Foo and Sky, as they refer to each other, what started as a natural collaboration (uncle and nephew, who happen to be close in age, tinkering with drum machines and recording software) with a mix tape thrown in as an afterthought, has evolved into a multi-platform musical movement. With one key mission: live tonight like there's no tomorrow. 

Foo and Sky call it Party Rock, and it's the name of their debut album, label (via the will.i.am Music Group and Interscope Records), clothing line and general outlook on any given day. "It's always better to have a party in your life," explains Foo. "Fun and laughter, the girls, dancing, celebrating. We want to feel the same way walking down the sidewalk as we do on stage." Which explains an awful lot about their street attire. The guys, who favor pimp jackets, oversized glasses (minus the actual glass), faux fur embellishments and the occasional leopard spandex skin tight pants (girls sizes only). If it's not vintage, then it's their own Party Rock brand, which Foo and Sky wear exclusively. And their stylish strut seems to be working. "We get way more women now," says Sky. 

Looking just over the horizon, the path is promising, to say the least. The guys have already been recruited by Lady GaGa and Chris Cornell for single remixes, and are fielding requests from a host of major artists in the pop and hip hop worlds.
Now let's party like it's 2009! 


Martin Scorsese presents The Blues - A Musical Journey (2003)

It may have been underrated when first broadcast on PBS on consecutive nights in the fall of '03, but executive producer Martin Scorsese's homage to the blues is a truly significant, if imperfect, achievement. "Musical journey" is an apt description, as Scorsese and the six other directors responsible for these seven approximately 90-minute films follow the blues--the foundation of jazz, soul, R&B, and rock & roll--from its African roots to its Mississippi Delta origins, up the river to Memphis and Chicago, then to New York, the United Kingdom, and beyond. Some of the films (like Wim Wenders's The Soul of a Man and Charles Burnett's Warming by the Devil's Fire) use extensive fictional film sequences, generally to good effect. There's also plenty of documentary footage, interviews, and contemporary studio performances recorded especially for these films.
The last are among the best aspects of the DVDs, as the bonus material features the set's only complete tunes. Lou Reed's "See That My Grave Is Kept Clean" and the ElektriK Mud Kats' (with Chuck D. of Public Enemy) hip-hop-cum-traditional updating of Muddy Waters's "Mannish Boy" are among the best of them; on the other hand, a rendition of "Cry Me a River" by Lulu (?!) is a curious choice, even with Jeff Beck on hand. The absence of lengthier vintage clips, meanwhile, is the principal drawback. For that reason alone, Clint Eastwood's Piano Blues is the best of the lot; a musician himself, Eastwood simply lets the players play, which means we get extensive file footage of the likes of Art Tatum, Oscar Peterson, and Nat "King" Cole, as well as new performances by Ray Charles, Dr. John, and others. Overall, this is a set to savor, a worthwhile investment guaranteed to grow on you over the course of repeated viewings. --Sam Graham

http://www.amazon.com/Martin-Scorsese-presents-Blues-Musical/dp/B0000CBHOI/ref=sr_1_1?s=music&ie=UTF8&qid=1309010470&sr=1-1 
 

Greatest Hits

An indispensable and definitive collection showcasing the passionate genius of the late rapper. The album's nonchronological sequence highlights the contradictory impulses that made Tupac's music so commanding; the 21 well-loved "hits," some slightly reedited for legal reasons, are accompanied by four previously unheard songs. Of the new material, the raw-sounding "God Bless the Dead" has been the subject of the most speculation, owing to its subject matter: a eulogizing of the late Notorious B.I.G.--a mysterious feat, since Tupac was killed six months before Biggie. And, making its first proper appearance on a Tupac album, the B-side "Hit 'Em Up" stands as the most intense outburst of pure venomous rage ever captured on tape. Whether he's waxing political, philosophical, or just plain paranoid, Tupac's empathetic, charismatic style remains unmatched. --Charley Gothic

http://www.amazon.com/Greatest-Hits-2Pac/dp/B00000FCBH/ref=sr_1_1?s=music&ie=UTF8&qid=1309009898&sr=1-1 

Coast to Coast: Vintage Travel in North America

Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.

http://www.amazon.com/Coast-Vintage-Travel-North-America/dp/0865652597/ref=sr_1_1?ie=UTF8&qid=1309008002&sr=8-1

By the end of the 19th century, North America was fully settled, and the era’s robust economy led to the invention of affordable popular tourism. Even people of modest means could comfortably tour the continent, and a wealth of tourist attractions awaited: Niagara Falls, Crater Lake, the Grand Canyon and other sites in the brand-new national parks, New York’s Pennsylvania Station, San Francisco’s Embarcadero, the French Quarter in New Orleans, the Banff Springs Hotel, and many more.

With five maps and nine color inserts of facsimile menus, guidebooks, and vintage postcards displaying everything from cog railways running up Mount Washington to ostrich farms outside Pasadena and Arkansas’s spectacular Hot Springs, this brilliantly researched book provides a tour of an America just beginning to flex its muscles as a world-class tourist attraction.

http://www.amazon.com/Coast-Vintage-Travel-North-America/dp/0865652597/ref=sr_1_1?ie=UTF8&qid=1309008002&sr=8-1 

Praise for Coast to Coast
 
“Most Americans, it seems, are always willing – even eager – to pack a Samsonite bag or a Winnebago van and head off to see what lies down the road, across the mountains or on the other side of the continent. This restlessness isn’t a new trait, as author Anthony Shugaar and his colleagues demonstrate in this richly illustrated overview of travel in North America during the first few decades of the twentieth century. Like a cherished family photo album, Coast to Coast offers a fascinating and engaging record of where we went, how we got there, what we saw and, perhaps most important, what we learned along the way – not just about our country’s historic sites and scenic wonders but also about ourselves. It’s been a terrific trip, and this book brings it vividly to life.”--Richard Moe , President  National Trust for Historic Preservation
 
"Coast to Coast made me realize with despair that I was born a hundred years too late. I want to travel on those trains, camp in those tents, and spend weeks, if not months, in those hotels. I want to order the crab croquettes at the Hotel Ponce de Leon in 1880, and I want to cross Lake Michigan on the S. S. Christopher Columbus in 1893. Anthony Shugaar has assembled a North American scrapbook from a time when our continent was still big enough to get lost in. Reading it is like paging through a dream." David Owen, Author, The Walls Around Us, Sheetrock & Shellac

http://www.amazon.com/Coast-Vintage-Travel-North-America/dp/0865652597/ref=sr_1_1?ie=UTF8&qid=1309008002&sr=8-1
 
“For every image that colors in a vague conception of a classically American time and place, the book shows us something totally unexpected.” ~ Stephen Heyman, The Moment/NYT

Coast to Coast certainly gives a new meaning to the joyful pursuit of imaginary travel.” ~  Erica Johansson, Travel Blissful

http://www.amazon.com/Coast-Vintage-Travel-North-America/dp/0865652597/ref=sr_1_1?ie=UTF8&qid=1309008002&sr=8-1

“Travels romantic past is lovingly evoked in Coast to Coast: Vintage Travel in North America.” ~ Hemispheres
 
“Filled with engaging vintage photographs.” ~ Ann Tatko-Peterson, The Oakland Tribune

“Sure to get conversations going with older relatives and spark amusement in younger ones.” ~ Helen Anders, Statesman.com

http://www.amazon.com/Coast-Vintage-Travel-North-America/dp/0865652597/ref=sr_1_1?ie=UTF8&qid=1309008002&sr=8-1

About the Author

Antony Shugaar is a well-known translator and an author. He is the recipient of a 2007 NEA fellowship for his translation of  Sandokan. He has translated books by Primo Levi and other notable authors, and writes for the Boston Globe and Washington Post. He is the co-author of Latitude Zero: Tales of the Equator. 
Marc Walter is a photographer and graphic designer whose most recent book is Empire Splendor.
Catherine Donzel is writes on travel and lifestyle. Her most recent book is The Little Book of Tea.

http://www.amazon.com/Coast-Vintage-Travel-North-America/dp/0865652597/ref=sr_1_1?ie=UTF8&qid=1309008002&sr=8-1




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